The author of the article, linked here, argues that, while most everyone assumed in the aftermath that 9/11 had been a politically motivated attack, there may have been a completely different reason that had nothing to do with actually achieving a political goal. I here present the article, and put forth the idea that the OWS group may have a similar non-political objective.
From the article:
"For Stockhausen did grasp one big truth: 9-11 was the enactment of a fantasy — not an artistic fantasy, to be sure, but a fantasy nonetheless.
My first encounter with this particular kind of fantasy occurred when I was in college in the late sixties. A friend of mine and I got into a heated argument. Although we were both opposed to the Vietnam War, we discovered that we differed considerably on what counted as permissible forms of anti-war protest. To me the point of such protest was simple — to turn people against the war. Hence anything that was counterproductive to this purpose was politically irresponsible and should be severely censured. My friend thought otherwise; in fact, he was planning to join what by all accounts was to be a massively disruptive demonstration in Washington, and which in fact became one.
My friend did not disagree with me as to the likely counterproductive effects of such a demonstration. Instead, he argued that this simply did not matter. His answer was that even if it was counterproductive, even if it turned people against war protesters, indeed even if it made them more likely to support the continuation of the war, he would still participate in the demonstration and he would do so for one simple reason — because it was, in his words, good for his soul.
What I saw as a political act was not, for my friend, any such thing. It was not aimed at altering the minds of other people or persuading them to act differently. Its whole point was what it did for him."
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Just wanted to drop a note to let you know that I have been checking in periodically. Enjoying your commentary, reviews, and thoughts on life.
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